{"id":25,"date":"2021-08-10T14:54:22","date_gmt":"2021-08-10T14:54:22","guid":{"rendered":"https:\/\/archive.filmafest.org\/2021\/home-page-programs-english\/"},"modified":"2021-09-25T10:15:10","modified_gmt":"2021-09-25T07:15:10","slug":"program-en","status":"publish","type":"page","link":"https:\/\/archive.filmafest.org\/2021\/en\/","title":{"rendered":"Program"},"content":{"rendered":"<div class=\"col-12\">\n<div class=\"row gx-10\">\n<div class=\"col-md-6 col-lg-4\">\n<div class=\"program-card\"><img decoding=\"async\" src=\"https:\/\/archive.filmafest.org\/2021\/wp-content\/uploads\/2021\/09\/thumb_daisies.png\" alt=\"Still from the film 'Daisies'. Two-shot. Shades of purple and lavender. In bed, one young girl leans on the back of another, both bored, looking in different directions.\" width=\"100%\">\n<div class=\"program-info-container\">\n<div class=\"program-texts\">\n<div class=\"program-header\">\n<div class=\"program-title\" style=\"font-family:Arsenal,sans-serif; color: #9a12b3;font-size: 22px;font-weight: 700;text-transform: uppercase;margin-bottom: 10px;\"><a class=\"no-decoration\" href=\"film\/daisies-en\">Daisies<\/a><\/div>\n<\/div>\n<div class=\"green-badge\">Special screening<\/div>\n<div class=\"paragraph\">Director: Vera Chytilov\u00e1<\/div>\n<div class=\"paragraph\"><i>Czechoslovakia, 1966, 73 minutes, fiction<\/i><\/div>\n<div class=\"paragraph\">Two young women, both named Marie, decide that since the world is spoiled they will be spoiled as well; accordingly, they embark on a series of destructive pranks, in which they consume and destroy the world around them.<\/div>\n<\/div>\n<div class=\"d-md-flex justify-content-end\"><a class=\"no-decoration\" href=\"film\/daisies-en\"><button class=\"primary-button\">More<\/button><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-md-6 col-lg-4\">\n<div class=\"program-card\"><img decoding=\"async\" src=\"https:\/\/archive.filmafest.org\/2021\/wp-content\/uploads\/2021\/09\/thumb-radical-love.png\" alt=\"Illustration for the program 'Radical Love'. Digital colorful drawing. Different protagonists of the festival movies calmly lean their heads towards each other with their eyes closed.\" width=\"100%\">\n<div class=\"program-info-container\">\n<div class=\"program-texts\">\n<div class=\"program-header\">\n<div class=\"program-title\"><a class=\"no-decoration\" href=\"program\/radical-love-en\/\">Radical Love<\/a><\/div>\n<\/div>\n<div class=\"paragraph\">Curators: Filma collective;  text: geo<\/div>\n<div class=\"paragraph\">This program is composed of films that we chose out of 60 submissions from nearly 20 countries. Originally we thought of it as an opportunity to show how diverse feminist movies can be, but then we understood that our selections have a common theme: radical love.<\/div>\n<\/div>\n<div class=\"d-md-flex justify-content-end\"><a class=\"no-decoration\" href=\"program\/radical-love-en\/\"><button class=\"primary-button\">More<\/button><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-md-6 col-lg-4\">\n<div class=\"program-card\"><img decoding=\"async\" src=\"https:\/\/archive.filmafest.org\/2021\/wp-content\/uploads\/2021\/09\/thumb-origins-and-echoes.png\" alt=\"Illustration for the program 'Origins and Echoes'. Digital drawings against the photo of a Galaxy: lavender walls, sealing and floor are levitating along with different white+grey objects, symbolizing festival movies (bathtub, wig, loudspeaker, trans*flag, disco ball etc.). A pink jellyfish is leaving the walls` margins, heading to the open space.\" width=\"100%\">\n<div class=\"program-info-container\">\n<div class=\"program-texts\">\n<div class=\"program-header\">\n<div class=\"program-title\"><a class=\"no-decoration\" href=\"program\/origins-and-echoes-en\">Origins and Echoes<\/a><\/div>\n<\/div>\n<div class=\"paragraph\">Curators: Syaivo, geo; text: Syaivo<\/div>\n<div class=\"paragraph\"><i>Program made in cooperation with Cinema Queer International Film Festival<\/i><\/div>\n<div class=\"paragraph\">This program incorporates films which deal with the unity of feminist ideas as trans*feminist. Each of the films is evidence that trans*experiences, gender nonconformity and non-normativity have always been pivotal to the feminist agenda.<\/div>\n<\/div>\n<div class=\"d-md-flex justify-content-end\"><a class=\"no-decoration\" href=\"program\/origins-and-echoes-en\/\"><button class=\"primary-button\">More<\/button><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-md-6 col-lg-4\">\n<div class=\"program-card\"><img decoding=\"async\" src=\"https:\/\/archive.filmafest.org\/2021\/wp-content\/uploads\/2021\/09\/thumb_possible-utopias.png\" alt=\"Illustration for the program 'Possible Utopias'\" width=\"100%\">\n<div class=\"program-info-container\">\n<div class=\"program-texts\">\n<div class=\"program-header\">\n<div class=\"program-title\"><a class=\"no-decoration\" href=\"program\/possible-utopias-en\">Possible Utopias<\/a><\/div>\n<\/div>\n<div class=\"paragraph\">Curators: Mariam Agamyan, Augustina Vasile<\/div>\n<div class=\"paragraph\">A significant trait of feminist cinema and filmmaking is the ability to speak in the first person about experiences of oppression and systemic discrimination, such as racism. The films in this program powerfully and aptly articulate anti-oppressive messages within their narratives, whether real or imaginary.<\/div>\n<\/div>\n<div class=\"d-md-flex justify-content-end\"><a class=\"no-decoration\" href=\"program\/possible-utopias-en\/\"><button class=\"primary-button\">More<\/button><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-md-6 col-lg-4\">\n<div class=\"program-card\"><img decoding=\"async\" src=\"https:\/\/archive.filmafest.org\/2021\/wp-content\/uploads\/2021\/09\/thumb-wonderfulyears.png\" alt=\"Still from the film 'The Wonderful Years'. Two-shot. Old black and white portrait of two smiling women, one hugging another. Both looking directly at the viewer.\" width=\"100%\">\n<div class=\"program-info-container\">\n<div class=\"program-texts\">\n<div class=\"program-header\">\n<div class=\"program-title\" style=\"font-family:Arsenal,sans-serif; color: #9a12b3;font-size: 22px;font-weight: 700;text-transform: uppercase;margin-bottom: 10px;\"><a class=\"no-decoration\" href=\"film\/the-wonderful-years-en\">The Wonderful Years<\/a><\/div>\n<\/div>\n<div class=\"green-badge\">Special screening<\/div>\n<div class=\"sound-description-badge\" style=\"border: 1px solid #4E7F36\"><i class=\"fa fa-volume-up icon\"><\/i>Audiodescription<\/div>\n<div class=\"paragraph\">Directors: Svitlana Shymko, Galina Yarmanova<\/div>\n<div class=\"paragraph\"><i>Ukraine, 2018, 9 minutes, documentary<\/i><\/div>\n<div class=\"paragraph\">&#8220;The Wonderful Years&#8221; explores the lives of non-heterosexual women in Ukraine in the late Soviet Union. It is based on archive video materials and interviews excerpts from research projects on LGBT history.<\/div>\n<\/div>\n<div class=\"d-md-flex justify-content-end\"><a class=\"no-decoration\" href=\"film\/the-wonderful-years-en\"><button class=\"primary-button\">More<\/button><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"col-md-6 col-lg-4 \">\n<div class=\"newsletter-card\">\n<div class=\"newsletter-header\">Sign up and be among the first to find out about the next Filma festival:<\/div>\n\n<div class=\"wpcf7 no-js\" id=\"wpcf7-f920-o1\" lang=\"\" dir=\"ltr\">\n<div class=\"screen-reader-response\"><p role=\"status\" aria-live=\"polite\" aria-atomic=\"true\"><\/p> <ul><\/ul><\/div>\n<form action=\"\/2021\/wp-json\/wp\/v2\/pages\/25#wpcf7-f920-o1\" method=\"post\" class=\"wpcf7-form init\" aria-label=\"Contact form\" novalidate=\"novalidate\" data-status=\"init\">\n<div style=\"display: none;\">\n<input type=\"hidden\" name=\"_wpcf7\" value=\"920\" \/>\n<input type=\"hidden\" name=\"_wpcf7_version\" value=\"5.8.2\" \/>\n<input type=\"hidden\" name=\"_wpcf7_locale\" value=\"\" \/>\n<input type=\"hidden\" name=\"_wpcf7_unit_tag\" value=\"wpcf7-f920-o1\" \/>\n<input type=\"hidden\" name=\"_wpcf7_container_post\" value=\"0\" \/>\n<input type=\"hidden\" name=\"_wpcf7_posted_data_hash\" value=\"\" \/>\n<\/div>\n<p><label><span class=\"wpcf7-form-control-wrap\" data-name=\"your-email\"><input size=\"40\" class=\"wpcf7-form-control wpcf7-email wpcf7-validates-as-required wpcf7-text wpcf7-validates-as-email\" aria-required=\"true\" aria-invalid=\"false\" placeholder=\"Email\" value=\"\" type=\"email\" name=\"your-email\" \/><\/span><\/label><br \/>\n<input class=\"wpcf7-form-control wpcf7-submit has-spinner\" type=\"submit\" value=\"Submit\" \/>\n<\/p><div class=\"wpcf7-response-output\" aria-hidden=\"true\"><\/div>\n<\/form>\n<\/div>\n\n\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Daisies Special screening Director: Vera Chytilov\u00e1 Czechoslovakia, 1966, 73 minutes, fiction Two young women, both named Marie, decide that since the world is spoiled they will be spoiled as well; accordingly, they embark on a series of destructive pranks, in which they consume and destroy the world around them. More Radical Love Curators: Filma collective; [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/archive.filmafest.org\/2021\/en\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","footnotes":""},"class_list":["post-25","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/pages\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":63,"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":2921,"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/pages\/25\/revisions\/2921"}],"wp:attachment":[{"href":"https:\/\/archive.filmafest.org\/2021\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}