{"id":8428,"date":"2023-11-28T16:18:57","date_gmt":"2023-11-28T13:18:57","guid":{"rendered":"https:\/\/filmafest.org\/?page_id=8428"},"modified":"2024-12-18T14:28:45","modified_gmt":"2024-12-18T11:28:45","slug":"cinesolidarity-en","status":"publish","type":"page","link":"https:\/\/archive.filmafest.org\/2023\/en\/conversations-en\/cinesolidarity-en\/","title":{"rendered":"Solidarity in Cinema: When Art and Workers&#8217; Struggle Meet"},"content":{"rendered":"\n<div class=\"wp-block-jetpack-layout-grid column1-desktop-grid__span-8 column1-desktop-grid__start-3 column1-desktop-grid__row-1 column1-tablet-grid__span-8 column1-tablet-grid__row-1 column1-mobile-grid__span-4 column1-mobile-grid__row-1\">\n<div class=\"wp-block-jetpack-layout-grid-column wp-block-jetpack-layout-grid__padding-none\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"410\" src=\"https:\/\/filmafest.org\/wp-content\/uploads\/2023\/11\/program-labor-1024x410.jpg\" alt=\"\" class=\"wp-image-7877\" srcset=\"https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/program-labor-1024x410.jpg 1024w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/program-labor-300x120.jpg 300w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/program-labor-768x307.jpg 768w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/program-labor-1536x614.jpg 1536w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/program-labor.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading mt-4\"><strong>Solidarity in Cinema: When Art and Workers&#8217; Struggle Meet<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><p style=\"text-transform: uppercase;font-size: 24px;\">December 6, 19:00, EET<\/p><\/p>\n\n\n\n<p class=\"technical-info wp-block-paragraph\">Conversations are held in English and Ukrainian with two-way consecutive interpretation, and with Ukrainian sign language.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Join us for a discussion between Magda Maria Malinowska, the director of <em>The Women&#8217;s Strike Continues,<\/em> and Tatiana Maz\u00fa Gonz\u00e1lez, director of<em> Rio Turbio<\/em>. Along with artists and dedicated social activists, we will delve into the impact of their activist approach to filmmaking. Our conversation will explore their interaction with protagonists, selected material from their films, and the various formats used in films about labor rights. We will also address the role played by grassroots activist movements in the ongoing fight for labor rights, shedding light on why their contributions are often silenced or misappropriated by more mainstream organizations.<\/p>\n\n\n\n<h2 class=\"wp-block-heading mt-5 mb-3\">Recording of the conversation<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/957591288?dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading mt-5 mb-3\">Participants<\/h2>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid mb-4 column1-desktop-grid__span-6 column1-desktop-grid__row-1 column2-desktop-grid__span-6 column2-desktop-grid__start-7 column2-desktop-grid__row-1 column1-tablet-grid__span-4 column1-tablet-grid__row-1 column2-tablet-grid__span-4 column2-tablet-grid__start-5 column2-tablet-grid__row-1 column1-mobile-grid__span-4 column1-mobile-grid__row-1 column2-mobile-grid__span-4 column2-mobile-grid__row-2\">\n<div class=\"wp-block-jetpack-layout-grid-column wp-block-jetpack-layout-grid__padding-none\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"636\" src=\"https:\/\/filmafest.org\/wp-content\/uploads\/2023\/11\/discussion-portrait-malinowska.png\" alt=\"\" class=\"wp-image-8161\" srcset=\"https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-malinowska.png 900w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-malinowska-300x212.png 300w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-malinowska-768x543.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid-column director-card wp-block-jetpack-layout-grid__padding-none\">\n<p class=\"has-text-color has-link-color wp-elements-68f653840a761870ff63051e88b555b8 wp-block-paragraph\" id=\"director-bio\" style=\"color:#9a12b3\"><strong>Magda Maria Malinowska<em> <\/em><\/strong>is a director and activist. Since 2005, she has been a member of the Inicjatywa Pracownicza (\u201cWorkers\u2019 Initiative\u201d) labor union. She has authored dozens of reports on social issues for the union. She worked in an Amazon warehouse for six years, fighting for labor rights locally on behalf of the Inicjatywa Pracownicza and internationally within Amazon Workers International (AWI). In 2021, she was fired for her union activities.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid mb-4 column1-desktop-grid__span-6 column1-desktop-grid__row-1 column2-desktop-grid__span-6 column2-desktop-grid__start-7 column2-desktop-grid__row-1 column1-tablet-grid__span-4 column1-tablet-grid__row-1 column2-tablet-grid__span-4 column2-tablet-grid__start-5 column2-tablet-grid__row-1 column1-mobile-grid__span-4 column1-mobile-grid__row-1 column2-mobile-grid__span-4 column2-mobile-grid__row-2\">\n<div class=\"wp-block-jetpack-layout-grid-column wp-block-jetpack-layout-grid__padding-none\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"636\" src=\"https:\/\/filmafest.org\/wp-content\/uploads\/2023\/11\/discussion-portrait-tatiana.png\" alt=\"\" class=\"wp-image-8165\" srcset=\"https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-tatiana.png 900w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-tatiana-300x212.png 300w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-tatiana-768x543.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid-column director-card wp-block-jetpack-layout-grid__padding-none\">\n<p class=\"has-text-color has-link-color wp-elements-0a3a5e98fc913f132b9a2b03f5ae3eca wp-block-paragraph\" id=\"director-bio\" style=\"color:#9a12b3\"><strong>Tatiana Maz\u00fa Gonz\u00e1lez<\/strong> is a documentary artist and experimenter, feminist and left-wing activist. As a child she &nbsp;wanted to be a biologist or geographer, and today, her creative work explores the links between people and spaces, the microscopic and the immense, the personal and the political, the innocent and the dark. She films, photographs, draws, designs, and sews.<\/p>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading mt-5 mb-3\">Moderators<\/h2>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid mb-4 column1-desktop-grid__span-6 column1-desktop-grid__row-1 column2-desktop-grid__span-6 column2-desktop-grid__start-7 column2-desktop-grid__row-1 column1-tablet-grid__span-4 column1-tablet-grid__row-1 column2-tablet-grid__span-4 column2-tablet-grid__start-5 column2-tablet-grid__row-1 column1-mobile-grid__span-4 column1-mobile-grid__row-1 column2-mobile-grid__span-4 column2-mobile-grid__row-2\">\n<div class=\"wp-block-jetpack-layout-grid-column wp-block-jetpack-layout-grid__padding-none\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"636\" src=\"https:\/\/filmafest.org\/wp-content\/uploads\/2023\/11\/discussion-portraint-ton.png\" alt=\"\" class=\"wp-image-8157\" srcset=\"https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portraint-ton.png 900w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portraint-ton-300x212.png 300w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portraint-ton-768x543.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid-column director-card wp-block-jetpack-layout-grid__padding-none\">\n<p class=\"has-text-color has-link-color wp-elements-0921fde59071703e08a4bd367f2d5c3a wp-block-paragraph\" style=\"color:#9a12b3\"><strong>Tonia (Ton) Melnyk<\/strong> is a queer feminist, grassroots activist, and artist specializing in various media such as textiles, clothing, theatrical and performative practices, street art, video, and collective initiatives. Their work is centered around such issues as workplace standards, fair pricing, alternative economies, discrimination and the exploration of&nbsp; ways to address and overcome it, the prevention of&nbsp; burnout, ecology, the examination of&nbsp; relationships between humans and non-humans, and anti-war themes.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid mb-4 column1-desktop-grid__span-6 column1-desktop-grid__row-1 column2-desktop-grid__span-6 column2-desktop-grid__start-7 column2-desktop-grid__row-1 column1-tablet-grid__span-4 column1-tablet-grid__row-1 column2-tablet-grid__span-4 column2-tablet-grid__start-5 column2-tablet-grid__row-1 column1-mobile-grid__span-4 column1-mobile-grid__row-1 column2-mobile-grid__span-4 column2-mobile-grid__row-2\">\n<div class=\"wp-block-jetpack-layout-grid-column wp-block-jetpack-layout-grid__padding-none\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1104\" height=\"780\" src=\"https:\/\/filmafest.org\/wp-content\/uploads\/2023\/11\/discussion-portrait-masha.png\" alt=\"\" class=\"wp-image-8164\" srcset=\"https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-masha.png 1104w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-masha-300x212.png 300w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-masha-1024x723.png 1024w, https:\/\/archive.filmafest.org\/2023\/wp-content\/uploads\/2023\/11\/discussion-portrait-masha-768x543.png 768w\" sizes=\"auto, (max-width: 1104px) 100vw, 1104px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-jetpack-layout-grid-column director-card wp-block-jetpack-layout-grid__padding-none\">\n<p class=\"has-text-color has-link-color wp-elements-310227c5b1e0ee20f967d792002febce wp-block-paragraph\" style=\"color:#9a12b3\"><strong><strong>Masha Ravlyk Lukianova<\/strong><\/strong> is a queer feminist, grassroots activist, artist who uses textiles, clothes, performance, video, dance, and collective practices as artistic media. Their work is centered around such issues as workplace standards, fair pricing, the experience of migration, ecology, sexuality, the queer future, criticism of capitalism and patriarchy, and anti-war themes.<\/p>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-aa8d6bdb95cafc9cd2efa5a4f877f474 wp-block-paragraph\" style=\"color:#9a12b3\">In 2015, Ton and Masha co-founded&nbsp; the Shvemy sewing cooperative (Kyiv \u2013 St. Petersburg) and in 2016 the ReSew sewing cooperative (Kyiv). They continue to work as part of both organizations.<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-color has-link-color wp-elements-cbc2d2b7e6d50559276f3f50997d4636 wp-block-paragraph\" style=\"color:#9a12b3\"><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Solidarity in Cinema: When Art and Workers&#8217; Struggle Meet December 6, 19:00, EET Conversations are held in English and Ukrainian with two-way consecutive interpretation, and with Ukrainian sign language. Join us for a discussion between Magda Maria Malinowska, the director of The Women&#8217;s Strike Continues, and Tatiana Maz\u00fa Gonz\u00e1lez, director of Rio Turbio. Along with [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/archive.filmafest.org\/2023\/en\/conversations-en\/cinesolidarity-en\/\">Read More&#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":7877,"parent":8447,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_seopress_robots_primary_cat":"","footnotes":""},"class_list":["post-8428","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/pages\/8428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/comments?post=8428"}],"version-history":[{"count":10,"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/pages\/8428\/revisions"}],"predecessor-version":[{"id":9743,"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/pages\/8428\/revisions\/9743"}],"up":[{"embeddable":true,"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/pages\/8447"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/media\/7877"}],"wp:attachment":[{"href":"https:\/\/archive.filmafest.org\/2023\/wp-json\/wp\/v2\/media?parent=8428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}